Rogers Demands Same Rules as U.S. Streamers to Save Canadian TV
Rogers is calling on the CRTC to overhaul how Canadian content is defined and funded, saying the current system puts traditional broadcasters at a disadvantage compared to foreign streaming giants.
Speaking at the CRTC’s “Path Forward” hearing on Friday, May 23, in Gatineau, Dean Shaikh, Rogers’ Senior VP of Regulatory Affairs, said the company supports a unified, modern approach to funding and defining Canadian programming—but warned that Canadian-owned media firms can’t continue to shoulder the burden alone.
The hearings are part of the CRTC’s plan to roll out the Online Streaming Act which aims to bring foreign streaming services under Canadian regulation (essentially paying into CanCon).
“We are strongly opposed to any framework that continues to favour foreign streamers or focuses solely on the independent production sector,” said Shaikh, who appeared alongside Rogers Media president Colette Watson and other executives.
Under Rogers’ proposed model, the company would make a single financial contribution—capped at 5% of its total combined media and distribution revenues—toward Canadian programming.
Notably, Rogers said mainstream sports programming would remain outside the scope of this contribution, arguing that such services are already making meaningful contributions without the need for regulatory intervention.
Watson noted that foreign streamers benefit from lighter financial and reporting requirements, while Canadian companies are still tied to outdated and burdensome obligations. “We won’t stay competitive unless those requirements are reduced,” she said.
Rogers also pushed for a more flexible definition of “Canadian program.” The company wants any content commissioned or produced by a Canadian-owned broadcaster to automatically qualify, without needing to meet a complex points system that favours international productions.
The company warned that unless the CRTC modernizes its framework, Canadian broadcasters will keep losing ground to international players. “The future of a Canadian owned and controlled broadcasting system is at risk unless we are provided with the same regulatory and financial flexibility as the US streaming giants,” Shaikh said.
Earlier this week, the The Motion Picture Association-Canada (MPA-Canada), spoke at the CRTC hearing and argued it supports investing in Canadian productions but opposes any rules that would require its members to fund centralized production pools or buy content through traditional licensing models.
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OR, just cancel CANCON. Nobody wants to watch it anyway. And stop SIMSUBING. If i want to watch CTV, I will turn it onto that channel.
I suggest we free the citizens of Canada to purchase any TV we want, including ESPN, College Football Networks from the USA and HBO directly from the USA. Just open it up. You all know it is going to happen eventually.
That’s the most shortsighted idea I’ve seen proposed in a while. As it is, our film and TV market is overrun with American stories that are set in the US, even if the production was actually made in Canada. What do you think will happen if we don’t have even a basic incentive for producers to make content that tells Canadian stories that are set in Canada and made by Canadian crews/actors/filmmakers? Canada will be relegated to the odd mention of some awkward American character’s “Canadian girlfriend“. Is that what we want for Canada? Are our stories not worth being told?
We support Canadian restaurants and chefs, even though McDonald’s and Subway might be more efficient or profitable. We support teams like the Winnipeg Jets or the Hamilton Tiger -Cats even though they’ll never have the market power of the New York Yankees. We teach Margaret Atwood, and Mordecai Richler alongside Shakespeare and F. Scott Fitzgerald, not because they’re more commercially successful globally, but because they capture something essential about the Canadian experience that students need to understand about themselves and their country. We maintain a public healthcare system, not because it’s the most profitable model, but because it reflects Canadian values and serves Canadians in ways that importing the American system wouldn’t. Could our healthcare system be improved, of course it could. Do we want to make it a profit-driven system like the American one where a single incident can bankrupt someone, of course we don’t.
Despite all their complaining, Rogers and Bell are still highly profitable companies. CanCon rules are the ante they pay to be in the game. And international media giants who profit from Canadian consumers but don’t tell our stories should also have to ante up if their want to play. Cultural sovereignty, just like national sovereignty, requires intentional cultivation, not just market forces. Should we not be proud of ourselves and want to see ourselves represented on screen?
The unrealistic thoughts of most of Canada is that we actually produce something that people want to buy. The exception, natural resources, and it is the one thing that the east continues to vote against. When it comes to movies and tv we need to embrace the USA and allow the citizens of Canada to choose what they want. This continued forced, taxpayer funded jobs program for movie and TV creation is a waste of money. FYI, TSN sucks. When i am in the USA, ESPN and their multiple channels of DIFFERENT programming is what is needed here. And lastly, isn't it funny how CRAVE has stuck on the "Proudly Canadian" on all it's advertisements when in reality the shows they are selling are all bought from the USA….
If the CRTC has their way we will still be watching tribal trails and hym sing for the next 40 yrs. Open it up. Canadian content sucks just like the CBC
There hasn't been a decent Canadian production since The Beachcombers or Canada A People's History.