Last year, on average, Canadian songwriters and composers earned a paltry $67 in royalties from digital platforms, says SOCAN, which collects royalties for the industry.
SOCAN, the body representing Canada’s songwriters and composers like Drake and Joni Mitchell, has revealed that on average musicians writing their own material earned only $67 last year in royalties from domestic streaming services.
Despite the low number, the organization said that overall Canadians gained record royalties from streaming platforms last year.
CEO Jennifer Brown told The Canadian Press that musicians with a large following — such as Drake and The Weeknd — are played regularly, but lesser-known Canadian artists struggle to be promoted in their home country.
Brown expressed support for Bill C-11, a law that would obligate digital platforms to further promote Canadian music by adding more homegrown music to playlists in the country to help support the career of aspiring musicians.
The bill, which is currently being debated, would apply to YouTube, Spotify, and other online streaming services to promote Canadian artists, similar to the way traditional radio stations must provide allotted airtime to Canadian music.
The difficulty is that streaming services work differently from traditional radio because people are able to select what and when they want to listen to music. Bill C-11 is likely to be flexible about promoting Canadian music.
Brown says the bill would also include financial contributions from streaming services to support Canadian talent with necessities such as recording studios.
Remarkably misleading take on digital music revenues. SOCAN’s revenues grew last year primarily *because* of digital music streaming services. In fact, SOCAN says those revenues “more than offset the pandemic-driven downward pressure”. 1/2 https://t.co/G8HHFL9enn
— Michael Geist (@mgeist) April 1, 2022
Growth of SOCAN’s Internet streaming revenues is the story @pablorodriguez should be telling:
2013: $3.4M
2014: $12.4M
2015: $15.5M
2016: $33.8M
2017: $48.6M
2018: $62M
2019: $86M
2020: $102M
2021: $135MThat is SOCAN’s data. 2/2https://t.co/4NHm1wn3hThttps://t.co/YBiMcqUlWs
— Michael Geist (@mgeist) April 1, 2022
Not everyone agrees with SOCAN’s take on Bill C-11. University of Ottawa Law Professor, Michael Geist, says SOCAN revenues have increased every year, helped by streaming services. Bill C-11 would essentially force-feed Canadian music and not show a true picture of what’s actually popular.
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So average is $67 but Drake, Bieber and Weeknd must have gotten much more than that while some more obscure musicians probably got a couple of dollars. That’s the problem with average. I eat filet mignon, my neighbour only eats cabbage but on average we eat cabbage rolls.
The average is meaningless, but they know that. Mostly, they seem to be positioning sketchy info into the public view that they can later use to convince someone in power that it’s time for a other levy to force Canadians to pay for music they don’t want.
Not in this case. No one can live off of $67/yr so what’s the point of nitpicking that the median would have been more like $40/yr if it weren’t for Drake et al inflating the mean. Even if the median was just 1 cent a year it would hardly make a difference to getting $67 per year to most musicians’ lives. The main take away is that they’re getting almost nothing for their work no matter what measure you use.
To be fair…
– I’d be listening to a LOT more music if I didn’t have to try so hard NOT to play, hear, sing any of these lack luster artists.
As someone who also works in the media, I just see selfish Artists having their peeps Strike & Claim everything, yet most of their material is also borrowed.
Anyone is welcome to listen to my stuff for free. I’m not popular, but I’m also not a hack.
Enjoy the freebies!
– Art is freedom & meant to be shared.
Internet was a better place when people were allowed to enjoy music openly.